They mean well.. - Lead Creative Studio 216 Employee Review

2.0
27 Jan 2016
Recommend
CEO approval
Business outlook

Pros

Independence, lots of work to keep you busy. Project cycles are really short, so you get to work on a lot. Much of the production work is done overseas so staff in SF and Seattle just manage these processes. Very efficient system for producing rendering, though none of the skills to do so exist in SF or Seattle. Partners are very friendly and down-to-earth. Firm culture in SF and Seattle is very laid back and flexible.

Cons

No management structure. The partners drop in-and-out randomly. Everyone has to work on many projects each year, usually more than 25 projects. Though they emphasize "creativity" when hiring, the positions in SF and SEA are all management, even though we are called Creatives.

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Studio 216 Response
10y
Thank you for you thoughtful review and feedback. Our management and leadership structure is an area of improvement that we are trying to address. We recognize that project teams need good leadership and we are trying to improve team structures, clarify roles and better enable firm leadership to be more effective. I hope this response will encourage you to raise any of these issues at one of our Wednesday operations meetings... thanks!

Explore other reviews about Studio 216

5.0
10 Feb 2018
Recommend
CEO approval
Business outlook

Pros

Excellent opportunity to flex creative muscles and work on groundbreaking new Mixed Reality features. Wide range of project types keeps things interesting. Friendly and highly knowledgeable co-workers - great to work among pros with extensive background and expertise. Regular meetings, great project management, extensive communication, and a suite of online tools helps set expectations and keeps things running like a well-oiled machine. Open office environment, with the occasional office dog - plus a $3000 espresso machine that makes those coffee breaks feel extra special.

Cons

Having many short-term client projects keeps things interesting but doesn't give much time to fully explore creative solutions or implement features that require extra time. Suggestion: build in some R&D dev time either for the client project or to explore between projects to add to in-house capabilities. No meeting rooms make private conversations or phone calls difficult, especially when it's raining outside. Suggestion: if possible, build a small meeting room - even if only big enough for 2 people. Urgent client needs or pressing deadlines sometimes translate working late nights or weekends. Suggestion: this one is difficult and often unavoidable - continue to manage client expectations while giving them a great experience!

4.0
28 Nov 2016
Recommend
CEO approval
Business outlook

Pros

I recently had a chance to work with my former employer, Studio 216, as a client more than a year after leaving the company. I currently work at a design firm and we contracted S216 to complete several rendering graphics. I was encouraged to see many of my previous concerns about my former role and the structure of the company were beginning to be addressed. For example, more levels of management and support staff had been inserted into the company structure to help manage deadlines, client correspondence, and more tedious technical tasks such as file prep and internal correspondence. The structure did not seem totally worked out, but was definitely a step in the right direction. I also appreciated the additional framework of clear deadlines and add-service agreements. When I worked for Studio 216, I often felt that timelines and contracts were out of my control as a project manager, which made it difficult to predict/control my own workload. This appeared to be much less of a problem now.

Cons

As a client I could tell there was still some level of disorganization in terms of communication and roles/responsibilities, but it was clear that many more systems were in place. I hope that these changes translate to a more direct feedback loop between project managers and those managing marketing, staffing, and finances, as this chain of communication was not functioning well when I was employed at Studio 216.

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